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Bibliography A – B
... tets Årsskirft (Filosofi, språkvetenskap och historiska vetenskaper 2), Uppsala 1932...
... herdenking van zijn geboortedag 5 maart 1637, Amsterdam (Amsterdams Historisch Museum/De Waag) 1937...
... ph Storer (1620-1671) als Maler der Katholischen Reform, Regensburg 2000...
... ", 'Beiträge zur historischen Geographie, Kulturgeograph...
... ische Kultur am Mittelrhein, Darmstadt 1932...
... isseur 63 (1922), no. 249, p. 120...
... iszoon Ruts op een oeuvre', Fryslân 5 (1999), no. 3-4, p. 18-21...
... r schilderijen in de Gouden Eeuw (diss. University of Amsterdam) 2008...
... isch verval van de schilderkunst in Leiden na 1660', De zeventiende eeuw 27 (2011), p. 232-269...
... issenhorn 2003...
... lde wandern ... Katalog der aus der holländischen Schule abgeschriebenen Gemälde in de...
... Verschollen. Die Verluste der Preuβischen Schlösser im Zweiten Weltkrie...
... iss. University of Hamburg) 1984...
... cher Bestandskatalog Band 3 [Anhaltische Gemäldegalerie Dessau (Saksen...
... Wilhelm von der Pfalz und Anne Maria Luisa de' Medici, Düsseldorf (Museum...
... lerei. Die niederländischen und flämischen Gemälde des 16.-18. Jahrhunde...
... is (4 vols.), Amsterdam 1972-1991...
... en Bremen', Oud-Holland 82 (1967), p. 18-26...
... is’, Belvedere 5 (1924), no. 28/29, p. 148-175...
... ischen Stils', Städel-Jahrbuch 3-4 (1924), p. 107-167...
... Old Master Drawings 2 (1927-1928), p. 25-26...
... ish and Belgian paintings 1494–1983 in the collections of the National Museum in Warsaw and the Palace at Nieborów: comp...
... is Oranje-Nassau en Oranienstein ; Schloss Oranienstein: seine Wiederherstellung und sein Ausbau’, Bulletin van de Koninklijke...
... kunsthistorischen Sammlungen des allerhöchsten Kaiserhauses 1 (1883), part 2, no. 495, p. CLXXVIII- ...
... Frankfurt am Main, vol. 25), Frankfurt am Main 2005 (also in a German/English edition)...
... is der Gräflich Nostitzchen Gemälde-Galerie zu Prag, Prague 1905...
... sion für Erforschung und Erhaltung der Kunst- und historischen Denkmalpflege 3 (1909), Notizen, col. 103-109...
... istian Berentz och ett kopparstick av Jean le Pautre, Göteborg 1941...
... ischen Kunst des siebzehnten Jahrhunderts, Berlin (Akademie der Künste Berlin) 1890...
... ischer Maler, Bremen 1950...
... ghe croonen van Spaignien en Vrancryck, waer-inne begrepen is den ontsterffelijcken loff vande vermaerste constminnend...
... journals of seventeenth-century Dutch tourists’, Simiolus 32 (2006), p. 273-290...
... ister barocker Pracht, Friedrichshagen (Zeppelin Museum) 2002...
... ischen Kunst veranstaltet durch die Kunstgeschichtliche Gesellschaft in Berlin: die Gemälde aus berliner Privatbesitz&...
... msterdam’, Jahrbuch der königlich preussischen Kunstsammlungen 14 (1893), p. 41-...
... ischen Königschlosses, Berlin 1938...
... schen Erbschaft in den brandenburgisch-preuszischen Schlössern’, Zeitschrift für Kunstgesc...
... ft des Deutschen Vereins für Kunstwissenschaft 21 (1967), p. 1-19...
... istian von Braunschweig in den Niederlanden', in: Büttner et al. 2000, p. 15-39...
... barocken Kunst in Deutschland (diss. Heidelberg University), Tübi...
... Isaacsz., Jacob van der Doordt, Hans Rottenhammer and their artistic networks’, in: M. Andersen, B. Bøggild Johannsen...
... die Renaissance im Norden, Lemgo 2002 [Weserrenaissance-Museum Schloss Brake/KMSKA]...
... iss. University of Göttingen) 1966...
... 57 (Schriften der Elsass-Lothringischen Wissenschaftlichen Gesellschaft zu Strassb...
... ister van Jan Sysmus, stads-doctor van Amsterdam (I, II, II)’, Oud-Holland 8 (1890), p. 1-17, 217-234, 297-313...
... 26-40, 133-136...
... 26 (1908), p. 1-17...
... ischen Kunst des XVIten, XVIIten und XVIIIten Jahrhunderts (4 vols.), The Hague 1915-1921...
... 906-1912]Brieger 1922L. Brieger (ed.), Aus meinem Leben von Wilhelm Tischbein, Berlin 1922...
... is, 'Nieuwe gegevens over den kunstschilder Nicolaus Knupfer', Jaarboekje van Oud-Utrecht 12 (193...
... ish collections', Bulletin du Musée National de Varsovie 19 (1978), p. 1-49...
... isonné, Freren 1988...
... ayr’, Das Schwäbische Museum 2 (1926), p. 180ff...
... von Braunschweig-Lüneburg im Bildnis von Paulus Moreelse, Braunschwe...
... ischer Kunst- und Künstleraustausch im 17. Jahrhundert, Dortmund 2011...
... ischer Maler und die Burg Bentheim im 17. Jahrhundert, Bielefeld 1993...
... isdael paints Bentheim, Zwolle 2009...
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7.7 Dutch Artists in Tirol and Bohemia
... [3], although there are also landscapes by him in the style of Berchem [4].2 Of Ulrich Glantschnigg (1661-1722) we know some ‘grotesque conversation pieces in the taste of the Dutch school’ [5],3 which on the other hand are more connected with the Northern Italians, or with the Swiss Clipper-Todeschini respectively, than with the Dutch masters themselves.4...
... l Lorenz Reiner (1689-1743) belong to it. The former trained himself mainly on the example of Jan Brueghel I [11-14], while the latter, whose activity already belongs to the 18th century, also assimilated the style of the Italianate Dutchmen [15-16].10 The Antwerp painter Jan Pieter van Bredael II (1683-1735) was in Prague in 1706, where he worked for Prince Eugene. He also contributed to the dissemination of the Dutch-bucolic landscape style with his pictures painted in the manner of Berchem....
... sh paintings of this group.13Mattheus Terwesten (1670-1757) had been in Prague temporarily14 and Philipp Christian Bentum (c. 1690-after 1757), who came from the Netherlands, worked in Bohemia and Silesia for a longer period [23-25].15 Terwesten no longer is a pure exponent of Dutch painting, and Bentum even less so. His Roman schooling defines his style....
... positions do not transcend the simple facts of Balthasar van der Ast and Roelant Savery [28-30].17 Apart from these flower paintings he also painted some hunting still-lifes in the ‘deceptive manner’ against a light backdrop, which he adopted from the specialists Cornelis Norbertus Gijsbrechts, Fromentiou, Ferguson and others [31-32].18...
... h the conception of the Neapolitan still-life [39].19 The Fleming J. Bouttats [40-43] is said to have painted in the manner of Melchior d’Hondecoeter in Prague c. 1700.20...
Notes
... I (1588-1652) imitated the mannerists and Rubens (painting in Copen...
... he was mainly in Antwerp (Saur 1992-, vol. 74 [2012], p. 268). ...
... ed to Hollar anymore but is a copy by Richard Gaywood. According to Turner (and Martin Royalton-Kisch) Hollar possibly made the two prints after Rembrandt’s etchings (without help and permission of the master) out of hope for a possible employment as a reproductive printmaker for Hendrick Uylenburgh (Turner 2010, p. 77-78). ...
... Jan van de Velde II. Hollar already copied prints of the latter when he was working in Strasbourg for the publisher Jacob van der Heyden in 1628 or 1629 (Turner 2010, p. 78). ...
... / Anno 1696 / Den 2. Januarii zahlt herr Glober landschaftmahler sein erlaubnus geld mit … 9 fl.' (Heisslerová 2016, p. 259; communication Stefan Bartilla). See also § 7.3. ...
... iss 2013. ...
... entioned as well in Thieme/Becker 1907-1957 and Saur 1992-. Maybe it is confused with the work in Bamberg since 1821 (RKDimages 288577). ...
... lthough it is possible that he passed by Prague on his way from Vienna to Berlin in 1697. On Terwesten i...
... 938, nos. 211-218; Auction Oppenheim, London (Christie’s), 26 May 1933, no. 147. ...
... to Bergner the 19 paintings in Rychnov Castle (listed there since 1796) possibly are decorations by Bouttats orginally painted for Troja (Bergner 1909, col. 109). For the Gerson project the RKD cooperated with the Kolowrat family; part of the collection is entered in the RKD database. ...
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4.3 Smaller Courts and Towns
... had drawn and modelled himself, wanted something better.3 In 1709 he managed to acquire a Mary Magdalene by the knighted Adriaen van der Werff, for which he richly rewarded the artist with money and precious gifts [3].4 Nowadays we have more appreciation for Jan Steen’s Marriage of Tobias and Sarah which was owned by the duke already in Houbraken’s time (Bra...
... in Braunschweig. An inventory of 1697 already lists paintings by Cornelis van Haarlem [5], Daniel Vertangen [6], Jan Lievens [7], Philips Wouw...
... ed. Incidentally Duke Anton Ulrich’s predecessors had already come into the possession of all kinds of paintings through inheritance and marriage, most of them, of course, portraits (Johannes Mijtens [25], Wolfgang Heimbach [26], Johann Tilemann).10...
... e considered anymore as purely Dutch. 14Active in Göttingen and Münden was the woodengraver Ludwig Büsinck (1599/1602-1669), whose dated works are between 1629 and 1636. His large altarpiece in Göttingen [31] hardly shows Dutch influence, but his colourful woodcuts are reminiscent of the Utrecht Caravaggists [32]. His son Wilhelm Ludolf Büsinck (1635-1673) was in Amsterdam and Utrecht around 1660.15 It is remarkable that the products of artists who worked in the towns, such as Büsinck, reflect the local German tradition of the 16th century much stronger than contemporary court art....
Notes
... is style, see p. 235 [= § 2.13]. ...
... gallery in Salzdahlum. In Halmstädt Uffenbach saw the juvenilia drawing and prints by the duke. The library in Wolfenbüttel has an anonymous painting, representing the duke in his study. The style of this work is completely Dutch in the manner of Dou and Toorenvliet. [Van Leeuwen 2017] RKDimages 482601 (representing Anton Ulrich’s father, August II of Braunschweig-Wolfenbüttel); Wenzel/Matthey 2012, p. 331-343, no. 9...
... that probably was painted in 1696 on commission of the duke. ...
... ot a predecessor of Herzog Anton Ulrich I but his half-brother. Indeed some of his paintings ended up in Salzdahlum, but at a later stage (communication Paul va...
... I and his wife Elisabeth von Schaumberg; the attribution to Tilemann of a St. John the Baptist in the Nicolai church in Lemgo is uncertain (Lüpkes 2014, p. 20-21, ill.). ...
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4.1 Kassel
... at the Reichstag Johann Joachim d’Orville [5].3 His many reproductive prints after Sir Peter Lely [6] make it likely that he also took that artist as a model. His son travelled the Netherlands, England and other countries before he settled in Kassel as a court painter (paintings there and in Gripsholm [7-8]). In this capacity he was succeeded by his younger brother Magnus (1694-1744), who previously had been gallery inspector in the Brunswick Salzdahlum. His paintings are hardly distinguishable from those of the two others [9-10]....
... Besides this, he made several other portraits and genre pieces [14-15]: he was the ‘Jan Frans van Douven of Kassel’ and, like him, supportive in the expansion of the art gallery of Landgrave Wilhelm VIII (1682-1760). His pupil Louis de Moni (1698-1771) accompanied him to Germany. As less independent artist than his master, he clung to the sublime prototypes by Gerard Dou and Frans van Mieris [16-17].8...
... leasure palace Weissenstein and the Hercules systems [18-19],10 but also portraits of the deceased princely children and immortalized rare animals that his patron had shot during the hunt [20]. The landgrave sent him on a trip to Italy at his expense....
... n Huijsum [23], who was greatly admired by Landgrave Wilhelm VIII. We know how delighted he was when he saw several works by this artist during a visit to the collection of Jan van Gool in Holland.12...
... n his ‘Name list of paintings’, had mediated the deal for a commission of 5%. Gallery director Johann Georg Freesen also had an active share in the whole affair. We will not go into detail about the other acquisitions of the landgrave, although such superb paintings as Jacob’s blessing by Rembrandt [26] were among them. At the death of Wilhelm VIII, Kassel possessed one of the finest collections of Dutch painting, one that could compete very well with the ones in Dresden and Düsseldorf. Kassel has always retained the reputation of being a noteworthy gallery of Dutch painting. However, through theft and confiscations, many things were lost during the war years of 1806-1813; far from everything was recovered afterwards.14...
Notes
... of Wilhelm V and is probably painted by Johann Christoph Jobst (1599 - 1675) in the 1630s: http://altemeister.museum-kassel.de/45604 (communication Justus Lange, April 2017). There must have been some confusio...
... ions by his hand have been published online in the Farbdiaarchiv zur Wand- und Deckenmalerei, Zentral Institut für Kunstgeschichte (http://www.zi.fotothek.org/VZ/kuenstlerliste/Borcht,%20Caspar%20van%20der). ...
... he peace conference in Nijmegen in 1678-179. The whole series is kept in the Herzog Anton Ulrich-Museum in Braunschweig and ...
... Wilhelm VIII of Hessen-Kassel from 1726 onwards, but indeed only two visits...
... issenhauer 2004. ...
... playing the organ by Gerard van Horsthorst (RKDimages 265443) is probably acquired by Landgrave Karl, possibl...
... isenmann 1988; Von Drach 1890; Bredius 1908, p. 7 (Mierevelt); Moes 1913; Van Schelven 1934, p. 143; Hoet 1752, vol. 2, p....
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... 26...
... chaltar für die Göttinger Johanniskirche’, Neues Göttinger Jahrb...
... altar für die Göttinger Johanniskirche‘, Neues Göttinger Jah...
... he Print Collector's Quarterly 26 (1939), p. 349-359...
... ische Zeichnungen 1450-1850 [Hamburger Kunsthalle], Hamburg 2011...
... th, Christopher Paudiss 1630-1666: der bayerische Rembrandt?, Munich 2007...
... 7;, Scandia. Tidskrift för historisk forskning 1934, p. 256-257...
... is. Gemäldegalerie in Wien im 18.Jahrhundert, Vienna 1922...
... is Era, Prague (National Gallery of Prague) 2010...
... ellschaft für Bildende Kunst und Vaterländische Altertümer zu Emden 54 (1974), p. 23...
... isen gezeichnet: Anthonie Waterloo, 1610-1690: Ansichten aus Hamburg, Altona, Blankenese, Holstein, Bergedorf, L...
... istian Ludwig von Hagedorn: ein Diplomat und Sammler des 18. Jahrhunderts, Leizpig 1912...
... nventare der kurfürstlich-sächsischen Kunstkammer in Dresden (...
... g en tot verspreiding van de kennis der geschiedenis van Utrecht en omstreken 1934, p. 95-102...
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7.6 The Austrian Painting Collections
... Self-portrait of 1652 [2] and the Singing youth [Titus reading] [3]) he must have been acquired shortly after their creation; the Peasant wedding by Jan Steen and the Woman peeling apples by Gerard ter Borch [4] already were sent to Vienna before 1651. From the fine painters he owned works by Gerard Dou [5] and Frans van Mieris I [6].2Furthermore pictures of the much loved Philip Wouwerman [7-8], of Jan Both, Herman Saftleven, Jan Ossenbeeck [9-10], who indeed worked for him and Pieter van Laer, who was not succesful at the Viennese court; on the other hand no landscapes in the national manner.3...
... hof [16], Leonaert Bramer, Christoph Paudiss [17], who we already met at the Viennese court, the Monogrammist J.S. and Jan Lievens (a.o. the painting from his Antwerp period, that he painted together with Jan van der Hecke [18]); a whole row of other paintings join them, among which the flower still-lifes of Ra...
... Charles VI added something in his turn, whereas Maria Theresia sold various items to the King of Poland and the Elector of Saxony from the property kept in Prague as well as in Vienna. On the other hand the inheritance from Lorraine and other legacies brought new acquisitions again. For example, there were exchanges with the Schottenstift (Scottish Abbey) in Vienna, that had a very nice little collection of Dutch masters from the 17th century. From the old Galerie Nostitz in Prague likewise came some good Dutch paintings.6...
... the war hero became an avid collector. He filled his castles with paintings and antiquities, which at his death were estimated at 200.000 Gulden. C. 1708 he must have become acquainted with the battle paint...
... edael II [35-36],9 Joseph Parrocel and Jacques Courtois....
... cky heiress, sold all the paintings after years of negotiations to Charles Emanuel III, king of Sardinia. Here in Turin in 1796, the French general Claudel took possession of the Dou (which was by no means given to him), so that Dou’s Dropsical woman ‘that passes as the masterpiece of Flemish painting’ [sic!],10 nowadays enraptures the enthusiasts of the Leiden finepainting in the Louvre, while the rest of Prince Eugene’s property remained in Turin.11...
... successor of Karl Eusebius principally employed Italians and the two Dutch still-life painters Dirk Valkenburg (hunting pieces in the manner of Jan Weenix) and Willem van Royen. In the 18th century we hear about some other purchases, but only in the 19th century the number and the quality of the Dutch paintings grew considerably.14The Forchondts dealt with other Austrian grandees as well of course, like the counts Berckel, Prince Eckenberg, Count von Hoger and others. They did not have their clients only in Vienna, but also in ‘Lins’ [Linz], ‘Craets’ [Graz], in Moravia with the bishop of Olomouc [Olmütz] and who knows where.15 Especially peasant pictures, landscapes, marines and battle scenes were especially easy to sell, to say nothing of Flemish paintings. To the older collectors of Dutch art we can add the court quartermaster von Wenzelberg, whose belongings came to Melk, Johann Cunibert von Wenzelsberg (1614-1680), whereas Count Kaunitz-Rietberg and Baron Bruckenthal (now in Sibiu, Rumania [formerly Hermannstadt in Siebenburgen]) first became buyers of pictures in the 18th century.16...
Notes
... ons Willem van Mieris: Willem van Mieris was born in 1662, the year Leopold ...
... ional manner’, in contrast to landscapes by Jan van Goyen, Jacob van Ruisdael etc. ...
... ed that the collection contained 880 paintings from German and Netherlandish painters, not Netherlandish painting only (Berger 1883, p. CXV). ...
... ampart and Prenner are in the RKD collections, and partly in RKDexplore (RKDimages 268812). ...
... ); Bergner 1905; Stix 1922. [Van Leeuwen 2018] On Dutch and Flemish paintings from the former Nostitz collection in the National...
... ll. Also the rest of Eugen’s collection is treated in this publication. ...
... isited Coenraet Droste (1642-1734) in Leiden in 1708 and tried to buy a Wouwerman in vain (Droste/Fruin 1879, vol. 1, p. 2...
... r by Guiliam Forchondt II (1645-1677) and his brother Marcus Forchondt (1651-1706). Fo...
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5.6 Nuremberg
... he city of Nuremberg [1].2 Lorenz Strauch (1554-1636) took on this direction [2], while the works of his son Georg Strauch (1613-1675) reveal distinct Dutch characteristics [3-5].3 The already mentioned Matthäus Merian II worked for some time in Nuremberg in the second half of the 1640s [6-7].4...
... e composition of a painting [10].6 Paul Juvenel I (1579-1643), whose landscapes essentially are based on Flemish painters and Elsheimer [11], also painted church interiors after the Steenwijck’s recipe, who settled in ...
... ainters. In Rome he was a close friend of Pieter van Laer (1599-in or after 1642) and it was he, who sent for the Dutch engravers Cornelis Bloemaert,Theodor Matham and Reinier van Persijn from Paris to work of the publication on the gallery of Marquess Guistiniano.10...
... chieve, but he also stayed true to his Utrecht training.During his second stay in Holland he started to work on his series of the 12 months (now in Schleissheim), that he finished in Munich in 1642/44 [17-28]. In these paintings the echoes of the Utrecht school can be traced, albeit in the classicist form of someone like Hendrick Bloemaert (compare fig. 24/77).11...
... on encompassed not only paintings by Rubens, Van Dyck and other Flemish artists, but also works by Pieter van Laer, Jan Asselijn, Cornelis van Poelenburch, Jan Both, Jacob Marrel, Willem van Bemmel and possibly by Johann Liss, whom he met in Venice. Most of them later ended up in the collection of Franz von Mayer in Munich and Stockau; others were sold in Amsterdam. Finally we would not have done justice to the importance of Sandrart if we would not pay attention to his Teutschen Akademie (1675).14 This publication has been an important source for our research throughout Europe and has contributed much to make Netherlandish art and Netherlandish artists known in Germany....
... Passion series in the small church of Idstein in the Taunus, together with his uncle and the Flemish artist Michael Angelo Immenraet (1621-1683) [37-38].15 Nothing is left here of any Dutch training. The models, the compositions and even the technique derive from the Southern Netherlands and Rubens was the godfather here.16...
... ...
Notes
... 26. ...
... Biermann 1914, no. 490; in Berlin is a drawing of a ‘trompe-l’oeuil’...
... together with merchants from Nuremberg; on his way home in 1645 he again made a stop in N...
... nt entitled "pictor inops") and with modifications by Georg Walch (website British Museum). ...
... t (RKDimages 61623). The print was also copied in reverse in Frankfurt in 1608 by Johann Theodor de Bry (print | British Museum). ...
... h. [Van Leeuwen 2017] On Wittig: Tacke et al. 2001, p. 626-628. ...
... is painting (not known anymore): http://ta.sandrart.net/en/artwork/view/85 . ...
... is paintings in Utrecht style: Gerson 1942/1983, p. 146. ...
... d as a work by Sandrart; a new attribution in de the circle of Adriaen van Nieulandt is proposed (Klemm 1986, p. 328). ...
... ay 9, 1670 Sandrart sold the estate to his friend the councilor Franz von Mayer ...
... most of were not painted on the spot, but in his workshop, until 1670 in Schloss Stockau. ...
... of a fresco technique, but the series is executed in oil on canvas. ...
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5.5 Mainz, Pommersfelden and Ansbach
... nepainters. Ottomar Elliger II (1666-1732) was called to his court in 1716. He refused to become his official court painter, but painted several history paintings for him anyway [3].2 Arnold Boonen (1669-1729) was in 1694-1695 in Frankfurt, Mainz and Darmstadt and would surely have painted something for the Bishop [4]. An exception among all these academic-Flemish artists was the local painter and engraver Jodokus Bickart (active 1660-1684), who made a print after Gerard Dou [5].3...
... . When we imagine the collection as it was before the 150 Dutch paintings were auctioned off in Paris in 1867, it is clear that artists from the Northern Netherlands were quantitatively not badly represented. Lothar Franz owned paintings of Rembrandt [9], of the Rembrandt school, of Dutch portrait [10] and landscape painters and of course of by finepainters such as Godefridus Schalcken [11] and Frans van Mieris II.5...
... in.9Johann Christian Sperling (1690/1-1746), who was born in Halle and trained in Leipzig, was appointed as a court painter in Anspach in 1710. But first he was sent to Rotterdam to the famous Adriaen van der Werff, whose works he imitated remarkably [12-13]. Maybe the Prince of Ansbach was of the opinion that it was better to have one Sperling [=is sparrow]here in the land, than an Adriaen van der Werff in Rotterdam.10...
Notes
... the estate of his wife in 1628. Boogaert migrated with his father from Norway to the Netherlands in 1593. Between 1604 and 1622 he also had commissions in Münster (see f.i. RKDimages 284895). ...
... e confused and states ‘in the manner of Rembrandt’; however, his reference to Le Blanc concerns the illustrated print after ...
... that he was not from Solothurn (although his family did), but that he was born in Ch...
... von Eltz (1701-1799) was added to the collection of paintings of the Elector of Mainz in Aschaffenburg in 1809 by the Grand Duke of Frankfurt, Karl Theodor von Dalberg. This collection became the property of the Bavarian Crown in 1814 (Dekiert 2006). ...
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3.5 Johann Wilhelm as a Collector
... other Flemings and Italians. We only allude to the collection of Dutch fine painters because it precisely fits our idea of court art in general: seven paintings of Gerard Dou [1-5], five by Godefridus Schalcken,2 of Frans Mieris I also no less than seven pictures [6-11], Twelfth night by Gabriel Metsu [12], three small paintings by Cornelis van Poelenburch [13-15] etc.3...
... mcision [22],5 a self-portrait of the artist Flinck and Gerbrand van den Eeckhout [23] were represented in his collection as well....
... 3-34], Jan Asselyn [35], Willem Romeyn, Theodoor Helmbreker, Willem de Heusch and Pieter van Laer [36] complete this group. Philips Wouwerman [37-39] and Jan Baptist Weenix were not lacking. And so we can enumerate many other things, as the curious reader can explore in the old catalogues of the collection or in the new on...
... was appointed as gallery inspector by Karl Philipp [40]. For the rest, Karl Philipp did not contribute to the increase of the collection. A part of the collection he had conveyed to Mannheim, where he had relocated his residence....
Notes
... ...
... is unknown how these paintings, that were in the possession of the Orange family until 1702 (when King-Stadholder Wille...
... er 220 paintings from Johann Wilhelm’s collection can be retrieved. In 1937 one painting by Wouwermans (RKDimages 261781) was exchanged by the Alte Pinakothek with a painting from the collection of Eduard Plietzsch. ...
... isited the collection in 1711 and was shown around by ‘Mr. Frederici, a painter’ (Von Uffenbach 1753-1754, vol. 3, p. 742-744)....
... -186.Tijssens probably sold Johann Wilhelm also one or two of his own works, f.e. RKDimages 283756. ...