RKD STUDIES

1998-2001

... pannekoek 22/25; and at margin: 22) CU, inv. 1999-P.52: with plate tone (inscribed below the plate, in pencil: f pannekoek 25/25; and at margin: 25) comments: Frans Pannekoek (oral comment, December 2017): inscription inspired by a poem of Vail de Lencour ('Et les jours ne sont pas assez long, et les nuits ne sont pas assez long, et la vie s'enfuit comme une musaraigne, sans froisser l'herbe'). ...

... in: 10) comments: oral comments Frans Pannekoek, December 2017: 'Les Grillots' is the estate of Sandrine Gabriel between Châteauneuf-de-Chabre and Séderon. Pannekoek flew over the property in his hang glider. ...

... Ist state: CU, inv. 1999-P.63: with little plate tone (inscribed below the plate, in pencil: f pannekoek 1/25; and at margin: I, ...

... at margin: 11) CU, inv. 1999-P.5: with plate tone (inscribed below the plate, in pencil: 15/25, f pannekoek; and at margin: 15) exhibitions: Amsterdam 2010; Paris 2011 literature: Schatborn 2011, no. 26 (CU, inv. 1999-P.1) comments: Pannekoek (oral comment, December 2017): the text refers to Louis-Ferdinand Céline's 'D'un château l'autre' (1957); S.G. (initials Sandrine Gabriel). ...

... 1e FP; at bottom centre: aan AvB; and at bottom right: gehavende vlinder impressions: Ist state: CU, inv. 2001-P.96: with plate tone (inscribed below the plate, in pencil: ...

... plate, at lower left: (…) AOUT, 1999 (mirror writing) impressions: Ist state: CU, inv. 2001-P.99: with little plate tone (inscribed at...

... and at bottom centre: Membrillo del Año pasado F.P.F impressions: Ist state: CU, inv. 2001-P.80: with plate tone (inscribed at margi...

... 99 (mirror writing); and below: Mummie edition: 25 impressions: Ist state: CU, inv. 2001-P.104: with plate tone (inscribed at low...

... bed at lower margin, in pencil: sa-4-sept 1999, 7/6) CU, inv. 2001-P.72: with light plate tone (inscribed at lower margin, in pencil: 9/6) CU, inv. 2001-P.73: with light plate tone, printed in black and brown ink (inscribed at margin, in pencil: 10/6) comments: The artist’s variant of the opening words of the traditional Dutch reading primer, which reads Aap, noot, mies (Ape. Nut. Puss). ...

... ANNA'S NOOT in de spiegel, f.p. 1999 impressions: Ist state: CU, inv. 2001-P.74: with plate tone (inscribe...

... coup de gens, FP X; and at upper centre: pour Yannick mon fils impressions: Ist state: contours etched CU, inv. 2001-P.51: with light plate tone (inscri...

... oint, 98 × 116 mm impressions: Ist state: no drypoint CU, inv....

... m centre: los coños de antes II, petite Rose seche impressions: Ist state: no drypoint CU, inv. 2001-P.87: with plate tone (insc...

... left: FP, X '99 (mirror writing); and at bottom left: F.P. 99 impressions: Ist state: no drypoint CU, inv. 2001-P.109: with plate tone (inscribed at margin,...

... n, in pencil: 11-9) CU, inv. 2001-P.44: with plate tone (inscribed at lower margin, in pencil: mio (…) s ultimo, 16-13-15 XI 99) comments: Pannekoek (oral comment), December 2017: Drug boats from Morocco, confiscated by the customs service. ...

... drypoint, 111 × 144 mm impressions: Ist state: CU, 2001-P.45: with plate...

... , contre vent et maree, lentement, lentement, (…) troué; and below: FP X1 1999 impressions: Ist state: CU, inv. 2001-P.64: with light plate tone ((inscribed at lower margin, in pencil:...

... 27;hiver, avec, amour; at upper left: J de Chr VI impressions: Ist state: CU, inv. 2001-P.37: with plate tone (inscribed at lo...

... istiane’s Garden I, November 1999 drypoint, 118 × 158 mm impressions: RP-P-2017-1120-30: with plate tone (inscr...

... with plate tone, printed in black and brown ink (inscribed at margin, in pencil: 6-4) comments: preparatory study in Sketchbook (III) 1976-99 (CU, inv. 2000-T.33), at the end: 1976: Le jardin de Christiane II-23 XI 99 Montfroc comme la neige fond toujours!)....

... ne (inscribed at lower right margin, in pencil: 16 stop) comments: location, Montfroc, France. A preparatory study in Sketchbook (III) 1976-99 (CU, inv. 2000-T.33, 1976: end: Le jardin de Christiane III du soleil)....

... 34: with light plate tone (inscribed at lower right margin, in pencil: 3-2) comments: preparatory study in Sketchbook (III) 1976-99 (CU, inv. 2000-T.33, 1976: end: Le jardin de Christiane IV- 26 nov.1999 La Blanche Planche II dans l’acide).#]...

... exhibitions: Amsterdam 2010; Paris 2011 literature: Schatborn 2011, no. 64 comments: preparatory study in Sketchbook (III) 1976-99 (CU, inv. 2000-T.33, 1976: end: Le jardin de Christiane V 1 dec.1999 froid).#]...

... om left: ghetto Boy, with Pakol impressions: Ist state: CU, inv. 2001-P.114: with plate to...

... & machines!) IIIrd state: details reworked with etching, lettering added in the plate, instead of (Le Dégel!): jardin triste CU, inv. 2001-P.24: with light plate tone (inscribed at lower right margin, in pencil: jardin triste, 26 XII 3-3) IVth state: illegible lettering added, after (jardin triste) CU, inv. 2001-P.25: with light plate tone (inscribed at lower right margin, in pencil: 5-4) CU, inv. 2001-P.26: with plate tone (inscribed at lower right margin, in pencil: 29 XII, 11-6, to all the old masters before) CU, inv. 2001-P.27: with plate tone, printed in brown ink (inscribed at low...

... ncil: 13 (5), Custodia, M4(1)) Xth state: RP-P-2017-1120-34: with plate tone (inscribed at lower margin, in pencil: f pannekoek 2001; and at upper right margin: achterhouden 21 (10) 1-1-2001) exhibitions: Amsterdam 2010; Paris 2011 literature: Schatborn 2011, no. 43 (CU, inv. 2002-P.2) ...

... 17(6)) CU, inv. 2002-P.5: with light plate tone, printed in brown ink (inscribed at right margin, in pencil: 26 (7), 12-1-2001) CU, inv. 2002-P.6: with plate tone (inscribed at lower right margin, in pencil: 6 (4)) CU, ...

... ght margin, in pencil: 15-26-1 2001) CU, inv. 2002-P.9: with plate tone (inscribed at lower right margin, in pencil: 24. -28-1 2001) comments: location, near Sisteron; back road used by the Resistance during the war, border Provence/Alpes. ...

... t upper centre: MOTTIG & PRECISION; at bottom left: FP, SON, I...

... pencil: 1/8 pression plus 2 feuilles, toujours pas ca, II, I) CU, 2002-P.16: with plate tone (inscribed at lower right margin, in pencil: 3-2 2001, 10) comments: the lettering in the plate is reminiscent of the font used for inscriptions on guns. ...

1969-1972

... CU, inv. 2011-P.67 (signed below the plate, in pencil: f pannekoek) exhibitions: Paris 1970 comments: the landing on the moon by an American space mission happened on 20 July 1969. ...

... coll. Hans Evers) (inscribed 7/8) comments: Pannekoek (oral comment, December 2017): to obtain this distinctive effect the artist used a technique in the 60s that involved heating the zinc plate on a stove. ...

... inscribed at lower right margin, in pencil: I) exhibitions: Paris 1971; London 1976 literature: Mendez 1976, no. 4 (Luna Modul...

... d at lower margin, in pencil: Bij punta Umbria Frans p. met windhond) comments: the artist is depicted next to his greyhound Lize. ...

... ople, at the bottom: 1969, (3) 38 × 69 mm, lettered at the top in the plate: III FIN (…) TV GETS BORING, printed on one sheet of paper. impressions: RP-P-2010-221-2603: (RCE, K70033, acquired by the Dutch State): with plate tone (inscribed in pencil in the margin below three comic strip images: gezicht op de aarde door Frans...

... Lodewijk Pannekoek Zahora 25 III 1969 (…) edition: 1 impressions: CU, inv. 2017-P.26 (verso: inscribed at lower right corner: 15) comments: Pannekoek (oral comment,...

... sheet of paper (both: inscribed at lower margin, in pencil: 25, 26; verso: inscribed at bottom right, in pencil: 6 V) exhibitions: Paris 1970; Amsterdam 1971; London 1976 literature: Niessen 1971; Mendez 1976, no. 52; Postma 1998, lot 389...

... ez 1976, no. 2; Van der Steur 2009, pp. 322-23 exhibitions: Paris 1970; Amsterdam 1971; London 1976 comments: in a letter to Thomas Rap of 7 January 1969 (LM, The Hague) the artist proposed making a miniature booklet with 7 original etchings, to whom he also sent a small dummy of it on 21 March 1969: probably the one described above. The set of seven p...

... centre of plate impressions: unknown exhibitions: Paris 1970 (Minou n’a plus faim) literature: Pannekoek 1...

... f paper (inscribed at lower margin, in pencil: frans pannekoek, rève et realité de la lievre I 1973 augustus Zahora) CU, inv. 1994-P.290: with plate tone exhibitions: Paris 1971; Amsterdam 2010; Paris 2011 literature: Schatborn 2011, no. 12 #]...

... plate tone (inscribed below the plate, in pencil: f pannekoek) exhibition: Paris 1971 ...

... ribed below the plate, in pencil: houtsnip f l pannekoek 1970) exhibitions: Paris 1971 ...

... late tone (inscribed below the plate, in pencil: snip, Pannekoek 1970) SV: with plate tone exhibitions: Paris 1971...

... ish, c. 1970 drypoint, 107 × 200 mm, illegible mirror writing in the plate, below upper plate mark; and at upper...

... il: f pannekoek; inscribed at lower left corner, in pencil: 2) exhibitions: Paris 1971 comments: Pannekoek (oral comment, December 2017): the subject is a baby in an incubator. ...

... ide down, at centre right: (…) through this buttonhole; and at centre left: illegi...

... e plate, in pencil: gevilde haas f l pannekoek 1970) CU, inv. 1994-P.292C: printed on the same sheet of paper as FP 70-1 and FP 73-4: with plate tone (inscribed at lower margin, in pencil: frans pannekoek, rève et realité de la lievre I 1973 augustus Zahora) exhibitions: Paris 1970; Amsterdam 1971; London 1976 literature: Niessen 1971; Mendez 1976, no. 17 (with FP 70-11) ...

... ate tone (inscribed at lower margin, in pencil: frans pannekoek 3/15 hangende fazant) exhibitions: Paris 1971; London 1976 literature: Mendez 1976, no. 17 (with FP 70-10) ...

... 8/10) (sent with a letter of 18 April 1972 from the artist) SW (2385g, coll. RW): with little plate tone (inscribed below the plate: schedel van een watersnip, zelf geschoten en opgegeten pannekoek 1971 2/3) exhibitions: Paris 1971; Mendez 1976 literature: Mendez 1976, no. 20 comments: preparatory study in blue pen and brush, CU inv. 1994-T.36. ...

... Island, February 1972 drypoint, 50 × 125 mm, lettered in the plate, at upper centre, in mirror writing: (...) 1972 II 14 edi...

... n Zahora bij Vejer voor mijn vriend Carlos van Hasselt, die nooit tijd heeft; and at upper right corner: laatste (...) 8) exhibition: London 1976; Paris 1979 literature: Mendez 1976, no. 49 ...

... aug. 1975) FM, p.5-1976: exhibition: London 1976; Amsterdam 2010; Paris 2011 literature: Mendez 1976, no. 47; Pannekoek 1977, p. 13; Estrada 1986, no. 12; Schatborn 2011, no. 33 comments: preparatory study made with the brush near the Afsluitdijk at the north end of the IJsselmeer; print made in Zahora (CU, inv. 1994-T.42); on the verso of this drawing there is a second preparatory study which seems to be the direct model for the print. A second edition of the print, with a heavier use of plate tone, was made later....

... 5 × 142 mm, edition: 25 impressions: Ist state: CU, inv. 2017-P.23: with p...

... k (signed below the plate, in pencil: f pannekoek; inscribed at lower left margin, in black ink: pen No. 8 & penseel, Dicht, meneer Pannekoek bent u in China geweest? ANTW. De Dichter bereisd het land van zijn dromen; at lower left corner, in brush and grey ink: bygetekend met inkt 8 mrt 1972; with stamp in lower right corner, in red ink: FRANS PANNEKOEK (followed by two Chines...

... argin: 19, the whole series has been made and printed in Zahora Vejer de la Frontera Cadiz in the end of april or beginning of may 1972, and sold to my friend and collectister? on the 15th of September) (8) CU, inv. 1994-P.334: heavily inked, impression partially printed in negative (inscribed below the plate, in pencil: Skull no 20 to Carlos van Hasselt Paris 15th September 1972 frans pannekoek; and at lower margin: 20) (9) CU, inv. 1994-P.335: printed with little ink, impression partially printed in negative (inscribed below the plate, in pencil: Skull no 21 to Carlos van Hasselt Paris Sept. 15 by frans pannekoek; and at lower margin: 21) (10) CU, inv. 1994-P.336: heavily inked, with plate tone (inscribed below the plate, in pencil: Skull no 22 to Carlos van Hasselt 15 Sept 1972 Paris by frans pannekoek; and at lower right corner: 22) (11) CU, inv. 1994-P.337: heavily inked impression (inscribed below the plate, in pencil: Skull no 23 to Carlos van Hasselt Paris 1972 15th frans pannekoek; and at lower left margin: 23) IVth state: previous lettering erased; added in the plate, at lower right corner: variationes sobre un tema; and at lower left corner: F.L.P. IV 1972 (1) CU, inv. 1994-P.338: heavily inked, impression printed in negative (inscribed below the plate, in pencil: Skull no 24 to Carlos van Hasselt 15 Sept 1972 paris frans pannekoek; and at lower margin: 24) (2) CU, inv. 1994-P.339: with little ink, impression printed in negative (inscribed above the image, in pencil: No. 25; and below the plate: variaciones sobre un tema (…) Carlos van Hasselt paris 15th Sept por f pannekoek) exhibitions: London 1976; Paris 1979; Amsterdam 2010; Paris 2011 literature: Mendez 1976, no. 9; Pannekoek 1977, p. 59; Estrada 1986, no. 17; Schatborn 2011, no. 24, 24a comments: there are 26 impressions of this skull, of which Custodia possesses 25; one remains in the artist’s collection. Pannekoek considers the skull to be a ‘space-object’. Hercules Segers also made a print of a skull (HB 53). In 2009 Pannekoek made one drypoint after a painting attributed to Segers with a human skull seen from the side (FP 09-5/6)....

... 30: with plate tone (inscribed at lower margin, in pencil: Paris, boca de centollo No 7/12 fransisco panqueque 15 IX 72, 7) HGM, P.188-1973: with plate tone (inscribed at margin, in pencil: 2,...

... Ist state: horn ` lightly etched as illustrated in Estrada 1986 IInd state: reworked with drypoint; with illegible Spanis...

... low in mirror writing: FP VIII '72 SA edition: 20 impressions: Ist state: first letter in lettering illegible and ‘Fransiaño’ with ...

... e (inscribed at lower margin, in pencil: 10, las marinimas del Puerto Real (Cadiz) by fransisco panqueque, paris 15 IX 1972) HGM, inv. P.191-1973: with plate tone in sky (inscribed in pencil: Baai bij Puerto de Sta Maria, Pannekoek 1972, no. 11 van 20) exhibitions: Paris 1979; Amsterdam 2010; Paris 2011 literature: Schatborn 2011, no. 28...

... tone (inscribed below the plate, in pencil: aan Charles van f.p. pannekoek mrt. 1972 no. 5: and at margin: over ruimte gesproken en prova 5 (…)) (send with a letter by the artist of 26 April 1972) SW (2385c, coll. RW): with light plate tone (inscribed below the plate, in pencil: pannekoek 6/25) exhibitions: London 1976 literature: Mendez 1976, no. 8...

... Cadiz) CU, inv. 1994-P.303: with little plate tone (inscribed at lower margin, in pencil: 8, marismas cerca de Cadiz frans pannekoek)#]...

... voor Charless van charles pannekoek 1 juli 1974 Utrecht; and at margin: 18) exhibtions: London 1976; Paris 1979; Amsterdam 2010; Paris 2011 literature: Mendez 1976, no. 22-25; Pannekoek 1977, p. 27; Schatborn 1989, pp. 82-82, no. 3; Filedt Kok 2010, p. 148; Schatborn 2011, no. 16 comments: Preparatory studies in sketchbook 1972/3 (CU, inv. 1994-T.26). The black grouse was shot by Rudolf Lemperg (an Austrian surgeon in Sweden who owns a house in Lōs Canôs) on 6 October 1972 in Grannäs (see Pannekoek 1977, p. 27, 31). A similar black grouse was shot and drawn by Pannekoek in October 1973. Orre is Swedish for black grouse. ...

... hap in Gramäs door frans pannekoek 7/15 aan Carlos; and at lower left corner, in pencil: 7) HGM, inv. P.189-1973: with plate tone (inscribed in pencil: 5) exhibitions: London 1976; Paris 1979 literature: Mendez 1976, no. 26 ...

1991-1997

... Ist state: CU, inv. 1994-P.246: with light plate tone (inscribed at lower margin, in pencil: epreuve I, 26 11 1991 I etat) II...

... 44: with light plate tone (inscribed at lower margin, in pencil: 6, 16 III 91) IInd state: sea left of fishing nets reworked CU, inv. 1994-P.245: with light plate tone (inscribed at lower margin, in pencil: p...

... ishing Nets (Small), 1991 drypoint, 95 × 128 mm, lettered in the plate, at upper centre: KERNELEHEN impressions:...

... eath in FP 10th of December 1994, pour Yannick edition: 25 impressions: Ist state: CU, inv. 1995-P.66: with light plate tone (inscribed below th...

... 3 × 188 mm edition: 25 impressions: Ist state: CU, inv. 1995-P.44: with ...

... ishing Boat near the Mimizan, October 1994 drypoint, 128 × 164 mm, lettered in the plate, below upper plate ma...

... at upper centre: M.ZAN 7 X 49 (mirror writing) MISON impressions: Ist state: CU, inv. 1995-P.29: ...

... 172 mm edition: 25 impressions: Ist state: CU, inv. 1995-P. 55: ...

... upper centre: 5XII 94 (…) Celles les Condé impressions: Ist state: CU, inv. 1995-P.32: with little plate tone (in...

... e: WAD; and at lower left corner: FP 94 impressions: Ist state: CU, inv. 1995-P.49: with light plate tone ...

... at upper right corner: (…) to Dieppe (…); at bottom left: ROAD TO DIEPPE 26 II (…) edition: 25 impressions: Ist state: CU, inv. 1995-P.38: with pl...

... at upper centre: NANNI edition: 23 impressions: Ist state: CU, inv. 1995-P.28: with little plate...

... rgin: Comment passer le message à toi dans le temps, epreuve 1 1 mars; at right margin: Oeuf erratique de mon désir, dans un nid de poils pudiques; at left margin: pour la princesse des grillots, que je veux fertiliser) IInd state: nest reworked with drypoint, lettering at upper centre extended: l'amour du couera l'oeuf de l'autruche; and at lower left corner to the initials: nest CU, inv. 1999-P.25: with plat...

... and at bottom centre: frans pan edition: 25 impressions: Ist state: CU, inv. 1999-P.6: with plate tone (inscribed ...

... plate tone (inscribed at left margin, in pencil: f pannekoek 20/25 1997; and at right margin: 20) exhibitions: Amsterdam 2010; Paris 2011 literature: Schatborn 2011, no. 46 (as 1999, CU, inv. 1999-P.10) comments: the artist considers this image to be one of the most successful in depicting the transparency of the leaves and of beauty in general, as it was just a ‘throw away finished rose.’ ...

... in pencil: f pannekoek, 6/25; and at margin: 6, 6 XI 97) CU, inv. 1999-P.79(1): Album "Les épines de l'amour", page 1: with plate tone (inscribed below the plate, in pencil: chardon, 10/25; verso: inscribed in black ink, at bottom right: toujours contraire et identique, à elle-même, comme une gravure) exhibitions: Amsterdam 2010; Paris 2011literature: Schatborn 2011, no. 42 (CU, inv. 1999-P.36)...

... #x27;automne 1997, une, conte de fées edition: 25 impressions: Ist state: CU, inv. 1999-P.39: with plate tone (inscribed below...

... 99-P.55: with plate tone (inscribed below the plate, in pencil: pannekoek 15/12; and at margin: lugt, 15) exhibitions: Amsterdam 2010; Paris 2011 literature: Schatborn 2011, no. 14 (CU, inv. 1999-P.53) comments: this is a posthumous portrait of Djian, the dog of Jean Marc, a friend and fellow hang-glider pilot. ...

... inscribed below the plate, in pencil: f pannekoek 5/25; and at margin: l'espoir 5) CU, inv. 1999-P.60: with plate tone (inscribed below the plate, in pencil: 7/25 f pannekoek; and at margin: 1-7 > 7 mieux épreuves) RP-P-2017-1120-22: with plate tone (inscribed at margin, in pencil: 8 bon) exhibtions: Amsterdam 2010; Paris 2011 literature: Schatborn 2011, no. 47 (CU, inv. 1999-P.56) comments: this is one of the few examples in which an insect and a plant are combined. ...

... ate tone (inscribed below the plate, in pencil: f pannekoek 10/25; and at margin: 10) CU, inv.1999-P.77: with plate tone (inscribed below the plate, in pencil: f pannekoek 11/25; and at margin: 11 8) CU, inv. 1999-P.78: with plate tone, printed in black and brown ink (inscribed below the plate, in pencil: f pannekoek 17/25; and at margin: 17) exhibitions: Amsterdam 2010; Paris 2011 literature: Schatborn 2011, no. 48 (CU, inv. 1999-P.78)...

... is) with Honesty, December 1997 drypoint, 108 × 98 mm, lettered in the plate, at upper left corner: A VOIR LE NERF POUR ALLUMER...

... achée, peau & la feuille de s/mandarine edition: 12 impressions: Ist state: CU, inv. 1999-P.17: with plate tone (inscribed below the p...

... nt, 118 × 108 mm edition: 12 impressions: Ist state: CU, inv. 1999-P.43: with plate ...

... at lower margin: 7; and in black ink, on left-hand side of the sheet: combien de fois, j'ai eu les larmes aux yeux? tu ne me verras pas, pleurer, comme tu voulais, ainsi loin l'un de l'autre) ...

... t-hand side of the sheet, in black ink: toi, tu ne t'attendais pas à ça, moi, je ne m'y attendais pas... les petites jamais se cassent...) ...

... lantine Leaves, November 1997, drypoint, 79 × 90 mm, with plate tone (inscribed below the plate, in pencil: feuilles de l'agonie, 10/25; at lower margin: 10; at bottom right corner of right-hand side of the sheet, in black ink: mon bonheur est loin de moi emporté dans ton sac à dos et enterré dans la montagne, tu as la clef) (5) CU, inv. 1999-P.79(5): Album "Les épines de l'amour", (FP 97-15): Cat, 1997, drypoint, 47 × 48 mm, with plate tone (inscribed at margin, in pencil: zebulon, grizzly, cendre(?), lobito, No 21; and at left corner of the left-handed side of the sheet, in black ink: toi, tu ne t'attendais pas à ça, moi, je ne m'y attendais pas... les petites jamais se cassent...) (6) CU, inv. 1999-P.79(6) : Album "Les épines de l'amour", (FP 97-16): Great Puppet Show of Autumn, 1997, drypoint, 77 × 77 mm, with plate tone (inscribed below the plate, in pencil: grand guignol d'automne, 24/25; and in black ink, at left-hand side of the sheet: pour l'hiver: tu te cases, je me casse, (les mêmes cinq lettres)) (7) CU, inv. 1999-P.79(7): Album "Les épines de l'amour", (FP 97-16): Self-Portrait with the Cat Cendre, 1997, drypoint, 45 × 40 mm, with plate tone (numbered below the plate, in pencil: 4; and inscribed at left-hand side of the sheet, in black ink: un cadeau, Quand tu commences à penser, Bambina, et si tu veux enc...

1976-1980

... I, 1976, 6) CU, inv. 1994-P.55: with plate tone (inscribed at lower margin, in pencil: bahía de Cadiz fransisco panqueque, 7, 1975, para Don Carlos) exhibitions: London 1976 literature: Mendez 1976, no. 39; Estrada...

... ranate reworked with drypoint CU, inv. 1994-P.63: with plate tone (inscribed at lower margin, in pencil: 9, to Carlos van Hasselt, by francisco panqueque, 1975) exhibitions: Amsterdam 2010; Paris 2011 literature: Mendez 1976, no. 5 (1975; ill.); Schatborn 2011, no. 44 comments: Pannekoek (oral comment, December 2017): lettering referring to Granada, ‘the lost city of the Arabs.’#]...

... il: f pannekoek) RP-P-2017-1120-5: with plate tone (signed below the plate, in pencil: f pannekoek) comments: drawing in pen and brush used for this print of March 1970 made in Tenerife, now in Amsterdam (RP-T-2017-8-6).#]...

... o, 3, francisco pannekoek) comments: Pannekoek (oral comment, December 2017): is reminiscent of Escher self-portrait. ...

... ebada para Carlos No 17/18 frans pannekoek; and at lower margin: 17) exhibitions: Paris 1979 literature: Pannekoek 1977, p. 39; Estrada 1986, no. 25; Schatborn 2011, p. 16, fig. 13 comments: J.L. Cebada was a patient at the hospital. Here depicted just before his death. He was diagnosed with cancer of the larynx at the age of 45 in 1976. Preparatory study in sketchbook 1973-76 (CU, inv. 1994-T.27).#]...

... Ist state: without signature CU, inv. 1994-P.108: with plate tone (inscribed below the plate, in pencil: Paco nr 30 door fra...

... 7 pannekoek; and at margin: Carlos, 12/11/77 (…) 12) exhibitions: Paris 1979 (‘José Joaquin Blasquez Nadele dans une maison d’aliénes’, 13/15) comments: a fellow patient with Down syndrome in the hospital. Preparatory study in pencil, in ...

... along upper plate mark edition: 25 impressions: Ist state: first draft, no landscape on the right...

... n pencil: schepen f pannekoek, 9/22; and at right margin: 9, 15-7-77) exhibitions: Amsterdam 2010; Paris 2011 literature: Schatborn 2011, no. 34 (CU, inv. 1994-P.115) comments: a pencil drawing of this image in sketchbook 1977* (CU, inv. nr. 2000-T.33)#]...

... and at margin: 7) IInd state: with bird CU, inv. 1994-P.117: with plate tone (signed and dated below the plate, in pencil: 'rans pannekoek, 1978; inscribed at margin: Carlos e.v., 26 prueba) exhibitions: Paris 1979 literature: Estrada 1986, no. 27 (II) comments: Pannekoek (oral comment, December 2017): Piet Winkelaar lived beside the pond near Amsterdam. Pannekoek and Charles Donker skated together on it when it was ...

... n fighting. comments: the American John Q. Morrison was one of the founders of the Flying School in Paragualos del Jarama in the 70’s, together with Stuart (see FP 75-1, 4) and two other Spanish men. ...

... , at lower left corner: THE WAY (…) 197(?) (…) FP + JWED edition: 20 impressions: Ist state: CU, inv. 1994-P.113: with plate tone (signed and dated below the plate,...

... ) CU, inv. 1994-P.125: with plate tone (inscribed below the plate, in pencil: pannekoek 1980, 9/12; and at lower margin: 12) RP-P-2017-1120-6: with plate tone (inscribed below the plate, in pencil: pannnekoek 1980, 10/12; and at lower margin: 10) IVth state: impression from the cancelled plate (the plate is cancelled with illegible inscriptions in mirror writing) FP 83-Book: CU, inv. 1994-P.344B: with plate tone, printed on the same sheet of paper as CU inv. 1994-P.344E (inscribed at lower margin, in pencil: 2)...

... PAVER SOMNIFERUM (…) edition: 12 impressions: Ist state: CU, inv. 1994-P.132: with plate ton...

... ishing Boats with Nets, c. 1979 drypoint,100 × 160 mm, lettered in the plate, at upper centre: EL LABRINTO DE ...

... brown ink (inscribed below the plate, in pencil: pannekoek, 9/18; and at margin: no hace lo que hacen las otras (…) francis!) IInd state: impression from the cancelled plate (the plate is cancelled with illegible inscriptions in mirror writing) FP 83-Book: 1994-P.344F: with plate tone, printed on the same sheet of paper as CU, inv. 1994-P.344A (inscribed below the pla...

... 13/15; and at lower margin: 13) SW (2385b, coll. RW): with plate tone (inscribed below the plate, in pencil: frans pannekoek 5/25; and at margin: 5) IInd state: impression from the cancelled plate (the plate is cancelled with illegible inscriptions in mirror writing) FP 83-Book: 1994-P.344E: with plate tone, printed on the same sheet of paper as CU inv. 1994-P.344B (inscribed at lower margin, in pencil: 5)...

... the plate, at upper centre: BARBATE impressions: Ist state: CU, inv. 2011-P.79: with little plate t...

1981-1984

... the plate, in pencil: for collection of Carlos van Hasselt, f pannekoek, 11/16; and at margin: 11) SW (2385f, coll. RW): with light plate tone (inscribed below the plate, in pencil: pannekoek 1982 13/25 and at margin: 13) exhibitions: Amsterdam 2010; Paris 2011 literature: Schatborn 2011, no. 35 (II) comments: preparatory study in sketchbook (III) 1976-99 (CU, inv. 2000-T.33). #]...

... LZ; and at lower left corner: frans pannekoek (…) edition: 15 impressions: Ist state: CU, inv. 1994-P.147: with little plate tone (inscribed below the...

... P.153: with plate tone (inscribed below the plate, in pencil: 12 81, voor Carlos v H. Frans Pannekoek, 9/5) IInd state: impression from the cancelled plate (the plate is cancelled with illegible inscriptions in mirror writing) FP 83-Book: CU, inv. 1994-P.344AA: with plate tone, printed on the same sheet of paper as CU, inv. 1994-P.3...

... pencil: December was a good month. for the collection of mr Carlos van Hasselt, frans pannekoek 4/20; and at lower margin: 4) IInd state: impression from the cancelled plate (the plate is cancelled with illegible inscriptions in mirror writing) FP 83-Book: 1994-P.344S: with plate tone, printed on the same sheet of paper as CU, inv. 1994-P.344X (inscribed at lower marg...

... ing, 97 × 131 mm impressions: Ist state: CU, inv. 1994-P.155...

... er centre: HACIA ZAHARA DE LOS ATUNES, FP XI 1981 impressions: Ist state: unknown IInd state: impression from the cancelled pl...

... XI, pine wood; and at bottom centre, in mirror writing: FOR MARJA impressions: Ist state: unknown IInd state: impression from the cancelled plate (the plate i...

... und and below shell: (…) ART IS FOSSILISING (…) / AMONITA (…) 81 (mirror wri...

... ypoint, 104 × 159 mm, impressions: Ist state: CU, inv. 2011-P.75: with...

... ishing Nets, 1982 drypoint, 102 × 159 mm (irregularly cut), lettered in the plate, at upper centre: (…) los atunes, el laberinto ...

... ishermen in Boats, 1982 etching and drypoint, 118 × 153 mm, lettered in the plate, at upper centre: (…) Barbate II COSTA (...

... ishing Nets, c. 1982 drypoint, 77 × 109 mm, lettered in the plate, at upper centre, partially in mirror writing: 24 II ...

... e, at bottom centre: BARBATE edition: 12, later 15 impressions: Ist state: CU, inv. 1994-P.128: with plate tone (inscribed below...

... one (inscribed below the plate, in pencil: for mr. Carlos van Hasselt by f.p. 12/18) CU, inv. 1994-P.140: with light plate tone (inscribed below the plate, in pencil: f.p., english paper fine print for mr Carlos van Hasselt; and at lower margin: 14)...

... re, In Memory of Piet Mondrian Dutch Painter edition: 15 impressions: Ist state: CU, inv. 1994-P.146: with light plate tone (inscribed below...

... …) sueno y pesadilla (…); and illegible mirror writing along left plate mark impressions: Ist sate: CU, inv. 2011-P.84: with plate tone (signed below the plate, in pencil: f pannek...

... ror writing: FP 82 edition: 15, later 18 impressions: Ist state: RP-P-2017-1120-65: with light plate tone (i...

... & Zeeger; at lower centre: FP 1982 edition: 18? impressions: Ist state: RP-P-2017-1120-62: with plate tone (inscribed at verso...

... ing) FP 83-Book: 1994-P.344M: with plate tone (inscribed at lower margin, in pencil: 13) comments: it was here that Pannekoek built his home....

... Ist state: CU, inv. 1994-P.160: with light plate tone (inscribed below the plate, in pencil: f pannekoek 1983, 1/25; and at margi...

... x 160 mm edition: 25 impressions: Ist state: CU, inv. 1994-P.171: wi...

... at bottom centre: FP 1983 edition: 25 impressions: Ist state: CU, inv. 1994-P.175: with little plate t...

... Ist state: CU, inv. 1994-P.163: with light plate tone (inscribed at lower margin, in pencil: Proof II) IInd state: clothing rework...

... 0 mm edition: 25 impressions: Ist state: CU, inv. 1994-P.177...

... in: 15) CU, inv. 1994-P.182: with little plate tone, printed with very little ink at upper part (inscribed below the plate, in pencil: pannekoek 25/35; and at margin: 15) literature: Estrada 1986, no. 35 (1984; Puente sobre el Tajo, Lisboa) comments: with the art collector Klaus Bruns and his daughters in Lisbon. Sketch of the bridge in sketchbook (CU, inv. 2006-T.19), dated 11.2.1982....

... Ist state: unknown IInd state: impression from the cancelled plate (the plate is cancelled with illegible inscriptions in mirro...

... : impression from the cancelled plate (the plate is cancelled with illegible inscriptions in mirro...

... in mirror writing: 1983 impressions: Ist state: unknown IInd state: impress...

... writing: (…) 1993 FP, Casa de un guarda en Coto Doñana impressions: Ist state: CU, inv. 2018-P.71 (donated by M. van Berge-Gerbaud): with...

... on in S. Fernando, 1969, both: etching, both: c. 31 × 35 mm, printed on the same sheet of paper (both: inscribed at lower margin, in pencil: 25, 26; verso: inscribed at bottom right, in pencil: 6 V) (27) CU, inv. 1994-P.344Z: IVth state of FP 83-1 - Marie dans la neige/Marie in the Snow, 1983, drypoint, 71 × 118 mm (the plate is cancelled with illegible inscriptions in mirror writing) with plate tone, printed on the same sheet of paper as CU, inv. 1994-P.344CC (inscribed at lower margin, in pencil: 27)(28) CU, inv. 1994-P.344AA: IInd state of FP 81-5 - Vissersboot voor Trafalgar/Fishing Boat near Trafalgar, November 1981, etching, 129 × 173 mm (the plate is cancelled with illegible inscriptions in mirror writing) with plate tone, printed on the same sheet of paper as CU, inv. 1994-P.344BB (inscribed below the plate, in pencil: 28)(29) CU, inv. 1994-P.344BB: IInd state of FP 81-14 - Via Barges, 1981, etching and drypoint, 80 × 128 mm (the plate is cancelled with illegible inscriptions in mirror writing) with plate tone, printed on the same sheet of paper as CU, inv. 1994-P.344AA (inscribed at lower margin, in pencil: 29)(30) CU, inv. 1994-P.344CC: IInd state of FP 83-12 - Zelfportret/Self-Portrait, 1983, drypoint, 82 × 70 mm (the plate is cancelled with illegible inscriptions in mirror writing) with plate tone, printed on the same sheet of paper as CU, inv. 1994-P.344Z (inscribed at lower margin, in pencil; 31)(31) CU, inv. 1994-P.344DD - Nr. 6/No. 6, 15 December 1983, 182 × 120 mm, counterproof, printed on the same sheet of paper as 1994-P.344EE (the plate is cancelled with illegible inscriptions in mirror writing and dated below: 15-12-1983)(32) CU, inv. 1994-P.344EE - Nr. 6/No. 6, 15 December 1983, 182 × 120 mm, printed on the same sheet of paper as 1994-P.344DD (the plate is cancelled with illegible inscriptions in mirror writing and dated below, in mirror writing: 15-12-1983)(Book Nr. 6, I, 1984 Frans Pannekoek) (1) CU, inv. 1994-P.344FF: IVnd state of FP 83-4 - Portret van Marja/Portrait of Marja, 1983 drypoint, 123 × 110 mm (cut off) (the plate is cancelled with illegible inscriptions in mirror writing) complete plate printed (124 × 167 mm) with plate tone (inscribed at lower margin, in pencil: 1; verso: inscribed at bottom centre, in pencil: Book Nr. 6, I 1984 Frans Pannekoek) (2) CU, inv. 1994-P.344GG: IInd state of FP 82-11 - Zondag in Spakenburg/Sunday in Spakenburg, 1982, drypoint, 79 × 138 mm (the plate is cancelled with illegible inscriptions in mirror writing) with plate tone (inscribed at lower margin, in pencil: 2) (3) CU, inv. 1994-P.344HH: IInd state of FP 81-3 - Landschap met deltaplan en wolk/Landscape with Delta Plan and Cloud, 1981, drypoint, 98 × 150 mm (the plate is cancelled with inscriptions in mirror writing); signed and dated at centre left: A.D., 1984, FP) with plate tone, printed on the same sheet of paper as CU, inv. 1994-P.344II (inscribed at lower margin, in pencil: 3) (4) CU, inv. 1994-P.344II: only known state of FP 84-2 - Ice-cold Landscapes, 1984, etching and aquatint, 121 × 100 mm, with plate tone printed on the same sheet of paper as CU, inv. 1994-P.344HH (inscribed at lower margin, in pencil: 4) (5) CU, inv. 1994-P.344JJ: VIth state of FP 77-2 - De dood van een Auerhaan/The Death of a Capercaillie, June 1977, drypoint, 120 × 175 mm (the plate is cancelled with lettering at centre of plate: WAR ON THE FRONTIERS, W(?) SPREAD IF WE LEAVE, IT TO THEM, NO DOUBT ABOUT HISTORY OF MEN, BURIED OR UNBURIED BONES, SILENCE) with plate tone, printed on the same sheet of paper as CU, inv. 1994-P.344GG. (inscribed at lower margin, in pencil: 5) (6) CU, inv. 1994-P.344KK: IInd state of FP 82-9 - Zeilvlieger omringd door gieren/Hang Glider Surrounded by Vultures, 1982, drypoint, 98 × 138 mm (the plate is cancelled with inscriptions partially in mirror writing) with plate tone, printed on the same sheet of paper as CU, inv. 1994-P.344FF (inscribed at lower right corner, in pencil: 6) literature: Van der Steur 2009, p. 321...

1973-1975

... : with plate tone (inscribed at lower margin, in pencil: 3, Voor Carlos z'n collectie, fly now pay later 25 sept 1973 paris 121 Rue de Lille) CU, inv. 1994-P.261: with plate tone (inscribed at lower margin, in pencil: schiet Tonio een vosje door frans pannekoek 1973, te Zahora, 6) BM, P & D, inv. 2015.7089.2 (donate...

... t IJsselmeer hoog water f.l. pannekoek 3/10; and at lower right corner: 3) exhibition: London 1976; Amsterdam 2010; Paris 2011 literature: Mendez 1976, no. 44; Schatborn 2011, p. 20, ill. 17, no. 43 ...

... endje boven Vasterbotten bij Ostnäs voor Carlos van frans pannekoek februari 1973 2/15; and at lower margin: 2) comments: Gudrun is Rudolf’s wife. ...

... a, porque yo, si m’acuerdo siempre''; below: ''fp VIII ’73 Zahora Master of dead animals frans pannekoek to Carlos 25 sept. 1973 paris; at lower left margin: 6, fear for death is evident) CU, inv. 1994-P.292B: printed on the same sheet of paper as FP 70-1 and FP 70-10: with heavy plate tone (inscribed at lower margin, in pencil: frans pannekoek, rève et realité de la li...

... t lower margin: 5, how far can one go on the way to KITSCH) exhibitions: Amsterdam 2010; Paris 2011 literature: Schatborn 2011, no. 30 ...

... ted 15 August 1973 from Frans Pannekoek to Mària van Berge-Gerbaud; sketch in Tekenboek 1972/73 (CU, inv. 1994-T.26): 23 June 1973, Horseraces, Longchamp. ...

... at lower right: I. 1974 edition: 15 impressions: Ist state: CU, inv. 1994-P.281: with little plate ...

... 1994-P.264: with plate tone (inscribed below the plate, in pencil: frans pannekoek Andalusisch landschap 2/10; and at lower margin: Voor Carlos van Hasselt, gedrukt 26 2 1974, 2 va...

... U, inv.1994-P.301: with plate tone (inscribed below the plate, in pencil: GF Immink aan het IJsselmeer f pannekoek No 4 ± 12 1974) exhibitions: London 1976 literature: Mendez 1976, no. 43 (Frank Immink letting his ducks out on the IJsselmeer 1973) comments: Frank (G.F.) Immink was a close friend of Pannekoek and the fiancé of Fritzi Harmsen van der Beek. ...

... ted on the same sheet of paper as CU, inv. 1994-P.344S: with plate tone (inscribed at lower margin, in pencil: 24) exhibitions: London 1976; Amsterdam 2010; Paris 2011 literature: Mendez 1976, no. 50 (ill.); Pannekoek 1977, p. 17 (II); Van der Steur 2009, pp. 288-89; Schatborn 2011, no. 58 (II) comments: preparatory studies in sketchbook 1973/76 (CU, inv. 1994-T.27). A wooden plank between the two chimney flues caught fire, which soon swept through the whole farmhouse. Pannekoek had been drinking a lot that night, however immediately sobered up after his car rolled over in a ditch due to the icy road. With a lot of effort, the 35 cows (and Pannekoeks two goats) were rescued from the stables. (See Reve 1967, text facing fig. 11)....

... ible mirror writing in the plate, at upper centre impressions: Ist state: CU, inv. 1994-P.81: with plate tone (inscribed at lo...

... ttom centre, in cartouche: G. REVE (…) edition: approx. 20 impressions: Ist state: VdS: inscribed at lower margin, in pencil: oh leven o siel is...

... ate tone (inscribed at left margin, in pencil: frans pannekoek to Carlos van Hasselt, 4 18 09 74 Zahora) exhibitions: London 1976; Paris 1979 literature: Mendez 1976, no. 6#]...

... upper centre: (…) FP (…) Trafalgar 1974 edition: 25 impressions: Ist state: without shipwreck CU, inv. 1994-P.294: with plate tone...

... plate, at upper centre: (…) Whale bone of my youth (…) impressions: Ist state: limited design, only one anchor in the foreground CU, inv....

... 3: with plate tone, reworked with brush and (brown) Indian ink (inscribed within image, with brush in brown ink, at lower centre: Barbate; at lower right corner: F.P. 1974; inscribed below the plate, in pencil: (…) vissers in Barbate f l pannekoek 1974; and below: 8) exhibitions: London 1976; Paris 1979 literature: Mendez 1976, no. 41 comments: preparatory study in sketchbook 1973-76 (CU, inv. 1994-T.27), 17 March 17, 1974. #]...

... 263: with plate tone (inscribed below the plate, in pencil: Carlos van Hasselt, Campo Andaluz; and at lower margin: pannekoek,...

... edition: 12, later 15 impressions: Ist state: without shipwreck CU inv....

... re: (…) Sables d'Olonne 1974 impressions: Ist state: CU, inv. 1994-P.92: with little plat...

... int, 154 × 130 mm edition: 20 impressions: Ist state: little detailing in foreground C...

... 75 drypoint, 142 × 86 mm edition: 22 impressions: Ist state: without kite CU, inv. 2017-P.29: with p...

... STUART God of Winds edition: 12, later 18, state IV: 125 (luxury edition) impressions: Ist state: kite and landscape sketched CU, inv. 1994-P.103: with light plate tone (insc...

... with heavy plate tone (signed below the plate, in pencil: f pannekoek; inscribed at lower margin, in pencil: hotter plate 9 wetter paper, 7) comments: the artist, depicted on the left, is holding back a drooping branch.#]...

... er right corner: 17, 4-1, 1978) comments: Pannekoek (oral comments, December 2017): Skip Dennis was an instructor. ...

... in the plate edition: 10, later 25 impressions: Ist state: CU, inv. 1994-P.71: with plate tone (...

... 92 mm edition: 25 impressions: Ist state: only horizontal elem...

... irror writing: frans l pannekoek 74 (…) de rook (…) 75 (…) edition: 7 impressions: Ist state: entire plate CU, inv. 1994-P.91: with plate tone, printed in dark-brown ...

... Ist state: CU, inv. 1994-P.88: with little plate tone (inscribed below the plate, in pencil: towards God urbano frans...

... 5 mm edition: 18 impressions: Ist state: without duck CU, in...

... ; with the exception of: WAKKERENDIJK EEMNES edition: 12 impressions: Ist state: CU, inv. 1994-P.99: with light plate tone (inscribed below ...

... Ist state: CU, inv. 1994-P.97: with plate tone (inscribed below the plate, in pencil: proof 1, Voor Carlos van frans pannekoek, 1...

... (…) deserted places, ROTA (…) for some people it is home impressions: CU, inv. 1994-P.77: with plat...

Exhibitions

... rs, Herman Gordijn, Peter Vos), 26 June – 22 August 1970: Galerie Balans, AmsterdamParis 1970*Exposition des estampes de Frans Pannekoek, 30 January-22 February 1970: Institut Néerlandais, ParisAmsterdam 1971*Frans Lodewijk Pannekoek, nieuwe etsen en tekeningen; Joost Roelofsz, aquarellen, 18 January-6 February 1971: Galerie Balans, Amsterdam, and Frans Lodewijk Pannekoek, etsen, 8...

... am 1988J.H. Moesman en Frans Pannekoek, tekeningen: 4 June-1 July 1988: Galerie Petit, Amsterdam (opening by Johan Polak)Amsterdam 1989/90Een keuze uit zeventien particuliere verzamelingen: Amsterdamse Prentkring: 28 October 1989-7 January 1990: Rembrandthuis, Amsterdam (>Schatborn 1989)Laren 1990Petit-Parade, for the 20th anniversary of Galerie Petit, 4 February-18 March 1990: Singer Museum, Laren (>Pannekoek 1990)Amsterdam 1991Jan Montijn en Frans Pannekoek, tekeningen: 5-30 October 1991: Galerie Petit, AmsterdamAmsterdam 1993*Frans Panekoek: aquarellen en Lina Hodoroaba, beelden, 15 January-17 February 1993: Galerie Imago, Amsterdam (poster with a watercolour by Pannekoek)Mison 1994Frans Pannekoek à la Galerie du Chateau, 7-29 May 1994, Galerie du Chateau, Mison...

... en arena 1995)Amsterdam 2010Frans Pannekoek. Prenten & tekeningen: 26 June-3 October 2010: Museum Het Rembrandthuis, Amsterdam (> Schatb...

1967-1968

... Reve 1967, no. 14 (CU impression); Postma 1997, lot 704 (ex coll. Hans Evers (inscribed in pencil: Toren van Babel II voor de kust van Harlingen opgericht fp pannekoek 1965), also in Fokas Holthuis 2018 H) ...

... m, 7/6 67; at lower right corner, in green pen: 7e; and at upper right corner, in pencil: III) exhibitions: Amsterdam 1968 (erected in the evening); Paris 1970 ...

... l: frans pannekoek, 1967; at upper right corner: IV; and at lower left corner, in green pen: 8) CU, inv. 1994-P.226: with plate tone (inscribed below the plate, in pencil: Pannekoek 1967 Pingjum) literature: Estrada 1986, no. ...

... iss Landscape, 1967 etching and aquatint, 60 × 88 mm, illegible lettering in the plate, below upper plate ma...

... rans rotslandschap (gemaakt in?) mei 1966 druk 6/12 februari 1967; and at margin, in pencil: 6 exhibitions: Paris 1970 ...

... pingjum) IInd state: aquatint added CU, inv. 1994-P.204: with plate tone, printed in black and red ink (inscribed at lower margin, in pencil: f pannekoek; and at upper right corner: VII) BM, P & D, inv. 2011.7045.2: with plate tone (inscribed below the plate, in pencil: Pannekoek 67 pingjum) exhibitions: Amsterdam 1968; Paris 1970 ...

... in the plate edition: 19 impressions: Ist state: SM, inv. A 2551 (inscribed b...

... 970 literature: van Lennep 1967 comments: lettered with a poem by François Villon (1431-1463), from Le débat du coeur et du corps de Villon. François Villon, Oeuvres complètes, trans. Jacqueline Cerquiglini-Toulet (Paris, Gallimard, 2014), p. 223. ...

... ttered in the plate, at upper left corner: (…) is fake impressions: CU, inv. 1994-P.231 (inscr...

... inscribed at lower margin: letter als initiaal voor boek veertien etsen; and in upper right corner: X) comments: not used in the published book. ...

... s: Paris 1970; London 1976; Amsterdam 2010; Paris 2011 literature: Mendez 1976, no. 29; Schatborn 2011, no. 7 comments: the Cistercian monastery, north of Tarragona, dates from the 12th century. Pannekoek (oral comment, December 2017): the stamp in orange ink came from China and was given to the artist by Eddy van Kan.#]...

... e mark, in mirror writing; and below in drypoint: OKTOBER 26-31/ NOV. 2 1967 edition: 50 (luxury edition Reve 1967) ...

... e Valls, III; and at upper left corner, in green pen: 9) exhibitions: Amsterdam 1968; Amsterdam 2010; Paris 2011 literature: Schatborn 2011, no. 6 comments: there is only one impression of this plate, the other two or three are lost. ...

... -P-2011-148: hand-coloured with brush in grey (inscribed below the plate, in pencil: Pannekoek 1967 Valls Espagna) exhibitions: Amsterdam 2010; Paris 2011 literature: Schatborn 2011, no. 5 (inv. 1994-P,195); Filedt Kok 2011, p. 458, fig. 276 comments: it is striking that the upper plate mark of the zinc plate appears to have been severely damaged by the acid.#]...

... name in mandarin Chinese); and in pencil: 18; inscribed below the plate, in pencil: Church of Alcover Tarragona frans l. pannekoek sept. 1967) exhibitions: Paris 1970; Amsterdam 2010; Paris 2011 literature: Estrada 1986, no. 8; Schatborn 2011, p. 11, fig. 4#]...

... 26 Libelle/Dragonfly, 1967 drypoint, 88 × 63 mm, illegible lettering in the plate at upper centre; an...

... koek 1967 Valls España Tarragona) exhibitions: Amsterdam 1968 comments: with the artist’s self-portrait at bottom left. Ratapanada is Catalan for long-eared bat. ...

... sh ink. The composition is reminiscent of the landscape with the oak by Hercules Segers, c. 1620 (S. 40; HB 28) in which the tree, somewhat smaller, is also depicted in the centre of the image. ...

... 1-146: with plate tone CD: with plate tone exhibitions: Paris 1970; Amsterdam 2010; Paris 2011 literature: Filedt Kok 2010, p. 149; Schatborn 2011, p. 21, fig. 19 comments: t...

... er plate mark edition: 1 impressions: CU, inv. 1994-P.266: with little plate tone (inscribed below the plate...

... no. 2; Schatborn 2011, no. 9 comments: the impression of this print in Amsterdam and the impression of FP 68-5 at Custodia (inv. 1994-P.269) were both reworked with a varnish after Pannekoek had also experimented with cheesecloth. Hercules Segers, admired by Frans Pannekoek, also printed some of his plates on fabric.#]...

... pannekoek 1967 1/+-15; and at margin (?) (reproduced in Estrada 1986)HGM, inv. 1973. P. 190: with plate tone (inscribed at left margin, in pencil: 2/1972) exhibitions: Paris 1970; London 1976; Amsterdam 2010; Paris 2011 literature: Mendez 1976, no. 29; Pannekoek 1977, p. 33; Estrada 1986, no. 9 (as 1967); Schatborn 2011, no. 10, 10a comments: for the varnished impression see inv. 1994-P.269 in the comments on FP 68-4. In the margin of inv. 1994-P.270 Pannekoek mentions the story of the daughter of an Arab, who fell in love with a fisherman from the valley and jumped off this cliff because she was not allowed to marry a Christian.#]...

... outer circle, in mirror writing; and at upper left corner: IN EXELSIS (…) edition: 13 impressions: Ist state: CU, inv. 1994-P.33: with...

... isian Winter Landscape, 1968 etching, drypoint and aquatint, 104 × 188 mm impressions: Ist state: CU, inv. 20...

... oek. Verso, at lower left corner, in pencil: geruild met J.P. Filedt Kok (aangekocht dec. 2009), jan 2011) comments: Pannekoek (oral comment, December 2017): Charles Grevel, a friend of the artist, sold Bibles and cars to the American fleet. ...

Literature

... x. The artistic friendship between Charles Donker and Frans Pannekoek’, Rijksmuseum Bulletin 58 (2010), pp. 144-157Maas 2010Nop Maas, Gerard Reve: Kroniek van een schuldig leven 2: De “rampjaren” (1962-1975), Amsterdam (Van Oorschot) 2010.Pannekoek 2010Frans Pannekoek, ‘Los Arbitrios, Algodonales’ in (J. Giltaij ed.) Mélanges pour Marie, Paris (Fondation Custodia) 2010, pp. 47-48Schatborn 2010aPeter Schatborn, entry by F.P. Pannekoek, ‘Pêcheur d’anguilles sur l’IJsselmeer, 1972’, in H. Buijs (ed.), Un Cabinet Particulier – Les estampes de la Collection Frits Lugt, Paris (Fondation Custodia) 2010, pp. 344-345Schatborn 2010bPeter Schatborn, Frans Pannekoek: Prenten en tekeningen. Amsterdam (Hercules Segers Stichting) 2010Schatborn 2011Peter Schatborn, Frans Pannekoek: Estampes & dessins. Paris (Fondation Custodia) 2011Filedt Kok 2011Jan Piet Filedt Kok, ‘The influence of Hercules Segers on Post-World War II Netherlandish printmakers’, Print Quarterly 28 (2011), pp. 456-462Garcia 2011Anne-Marie Garcia, ‘Regards sur l’Europe’, Nouvelles de l’estampe 236 (2011), pp. 87-89Raineau 2011Joëlle Raineau, ‘Frans Pannekoek, l’essence des choses’, Nouvelles de l’estampe 236 (2011), pp. 90-92Van Camp 2012Ann van Camp, ‘Notes: Frans Pannekoek,’ Print Quaterly, 29 (2012), pp. 441-442Luijten 2012G. Luijten, ‘Recent acquisitions (2008-12) at the Fondation Custodia, Frits Lugt Collection, Paris’, The Burlington Magazine, cliv (February 2012), pp. 157-168Maas 2012Nop Maas, Gerard Reve: Kroniek van een schuldig leven 3: De late jaren (1975-2006), Amsterdam (Van Oorschot) 2012Erftemeijer 2014Antoon Erftemeijer, Lucht! In de Nederlandse kunst sinds 1850, Haarlem (Frans Hals Museum – De Hallen Haarlem) 2014Casteren 2016Joris van, Casteren, Is U Bekend Met Het Alfabet? Verhalen Uit Een Boekhandel, Amsterdam (Uitgeverij Bas Lubberhuizen) 2016Cornelis 2016Mireille Cornelis in Leonoor van Sloten and Eddy de Jongh (eds.), In de ban van Hercules Segers, Rembrandt en de Modernen / Under the Spell of Hercules Segers, Rembrandt and the Moderns, Amsterdam (Museum Het Rembrandthuis and Hercules Segers Stichting) & Zwolle (W-Books) 2017, pp. 72, 92-93, 120, 122Fokas Holthuis 2018Antiquariaat Fokas Holthuis, Nieuwsbrief 735 (4 August 2017): Ik Had Hem Lief: 7. Veertien etsen etc. (deluxe edition).Grison 2018(M-N. Grison & M. Ram, eds.), Marie-Noëlle Grison, ‘Portrait posthume de Carlos van Hasselt,’ in online: Art sur papier: Acquisitions récentes de la Fondation Custodia, Paris: Fondation Custodia 2018, cat. no. 60Meijer 2018Maaike Meijer, Hemelse mevrouw Frederike: biografie van F. Harmsen van Beek, Amsterdam (De Bezige Bij) 2018Stammis 2019Willemijn Stammis, Frans Lodewijk Pannekoek – Kunstenaarschap in de twintigste eeuw, typescript, Amsterdam (Universiteit van Amsterdam: Masterscriptie Arts of the Netherlands (Arts and Culture), July 2019...

The Distribution of Frans Pannekoek's Prints and his Representation in public Collections

... rans Lodewijk Pannekoek voor arbeiders verklaard (1967). A one-day sales exhibition that Reve organised soon afterwards in the Amsterdam office of the publisher Thomas Rap was the first sale of the artist’s work, and even then it was held without his permission. It drew 250 curious visitors, among them two major buyers who left the sale with prints costing 1,100 and 800 guilders respectively. There were others, though, who paid more modest sums. The sale raised over 4,000 guilders4, and got a lot of publicity, which opened up the potential for new shows. The next one, which was inaugurated by Reve, was held very soon afterwards at the Pribaut gallery in Amsterdam.5 The gallerist was Debbie Wolf, who went on the exhibit Pannekoek’s work several times in the years that followed, first in 1969 at Pribaut, and after that in her Galerie Balans, also in Amsterdam. Artists like Peter Vos and Charles Donker regularly exhibited at Balans, and in 1971 new prints by Pannekoek were shown there along with watercolours by Joost Roelofsz (b. 1943).6 The prices for the prints were around 150 guilders each....

... ork was on view at the Lieve Hemel gallery in Amsterdam in a joint show with other artists.Pannekoek also had several exhibitions in the Netherlands in the decade 1980-90, but in the late 1980s they were mainly of drawings and watercolours because of his relatively low graphic output at the time. His prints went on display in the Nanky de Vreeze gallery in Amsterdam in 1984. On the occasion of a Spanish exhibition of his work in 1986 in Cadiz a list was compiled of his entire graphic oeuvre at the time, which must have run to around 200 prints, the earliest from 1961 and the later ones from 1985.10...

... Pannekoek was also part of a group show in the Singer Museum in Laren in 1990 marking the gallery’s 20th anniversary. This show of contemporary figuration with dozens of participants was titled Petit Parade, and was held partly in the Amste...

... and a few prints for 450 guilders.13 Pannekoek therefore decided that from then on he would not rely on galleries but would only sell directly to interested buyers. Instead he took his new work to the Fondation Custodia in Paris and travelled to Amsterdam with a suitcase from which to show sheets directly to possible clients....

... direction, which is what most of his graphic artist colleagues did. Yet down the years he has managed to survive on what he earns from his prints. Because although the group of collectors of his prints is small, they are truly passionate collectors. It is also due to their efforts that his etchings are to be found in the collections of several leading museums at home and abroad....

... ant the rest. On his retirement in 1994 Van Hasselt donated his entire Pannekoek collection to the Fondation Custodia, on condition that it would continue paying the monthly allowance and carry on collecting his work, provided it maintained the same high standard. His successor, Mària van Berge-Gerbaud, who as curator had been involved in the selection of Pannekoek’s work since 1971, made an excellent inventory of the donation, and supplemented it with new, representative work.18 Just before her departure in 2010 she prepared the exhibition of a choice of Pannekoek’s prints and drawings belonging to the Fondation that was held in the Rembrandthuis in Amsterdam in that year, before travelling on to Paris in 2011, for which Peter Schatborn wrote the catalogue in consultation with her.19 Ger Luijten, Van Berge’s successor, did not continue the allowance, but in 2011, 2016 and 2017 he bought missing earlier prints as well as a large selection of new ones....

... , and Pannekoek occasionally sent him a small print with a postcard.24 Schatborn was able to fill a few gaps in his collection in 2011 after paying a visit to the artist’s sister Tita in Warffum, where there was a sizable stock of his prints. On that occasion Ger Luijten was also able to buy several sheets that Custodia did not yet have. Soon afterwards, in March 2011, six months before Pannekoek’s hang gliding accident, Schatborn bought more prints directly from the artist. In 2017 he donated his entire Pannekoek collection to the Rijksprentenkabinet in Amsterdam....

... numbered edition of Reve’s Veertien Etsen with an original print, both of which fetched the highest prices.30 It is only thanks to Van der Steur’s article that we get some idea of a few of the rarities in his collection, such as an unknown portrait of Gerard Reve of 1981 (FP 81-13) and a tiny dummy with a set of 7 prints measuring roughly 2 x 3 cm and a small book (4.5 x 6.5 cm), Cambio de Vida en el Signo xx por Frans Lodewijk Pannekoek, ediciones Thomas Rap Amsterdam, 50 exemplaren gedrukt door Piet Clement te Amsterdam (FP 69-9).31Christopher Mendez, the London dealer in Old Master prints and drawings, also put together a modest collection of Pannekoek prints down the years. He received some of them from Pannekoek himself in return for beautiful sheets of old paper, ‘with chain lines’, which Pannekoek always wanted for printing his etchings, with another packet of 23 sheets following in 1999....

... member of the Amsterdam Print Society, who added considerably to his father’s collection, including work by Pannekoek.32...

... tic friendship that continues to this day and resulted in exchanges of each other’s work.34 Jan Piet Filedt Kok described the artistic interaction between them in 2010 in the article ‘Out of Admiration for the Crab in a Box’, in which their mutual admiration...

... phics, like those by Jan Mensinga, were only purchased as municipal acquisitions or under the Artist Subsidy Programme (BKR). That is why the museum now owns only two abstract drawings by Pannekoek bought in 1960 and a single small print of a dead mole (FP 67-13...

... a considerable portion of Pannekoek’s printed oeuvre, amounting to 95 impressions and 7 drawings, did arrive in 2011-12 and 2017.39 Because Carlos van Hasselt had already donated his large collection of Pannekoek prints to the Fondation Custodia in Paris in 1994, Schatborn decided on his retirement from the museum in 2001 to give his collection of Pannekoek’s prints to the Rijksprentenkabinet....

... re are now seven of his prints in Cambridge.41 There are also a number of prints of his in the British Museum. The first ones were donated in 2011, together with sheets by Willem van Leusden and Charles Donker, accompanied by an article on the influence of Hercules Segers on twentieth-century graphic art in Print Quarterly dedicated to Anthony Griffiths, Head of the Prints and Drawings, on his retirement.42 An Van Camp, the curator of Dutch prints at the time, who is now Head of European Art in Oxford, exhibited several of them as examples of Segers’s influence in a small exhibition of their holdings of Segers in 2012.43...