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Holstein, Pieter
... red in, etching, 49.7 x 64.9 cmlower left : p. holsteinRijksmuseum Twenthe, Enschede, inv./cat.nr. 4883...
... red in, 49.7 x 64.8 cmlower right : p. holstein 66/150Rijksmuseum Twenthe, Enschede, inv./cat.nr. 4884...
... red in, 63.7 x 48 cmlower right : p. holsteinRijksmuseum Twenthe, Enschede, inv./cat.nr. 4885...
... red in, 63.5 x 48 cmlower right : p. holsteinRijksmuseum Twenthe, Enschede, inv./cat.nr. 4886...
... Red Point Right), c. 1965paper, etching, colored in, 50 x 27.7 cmlower right : p. holsteinRijksmuseum T...
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Haagmans, Fons
... red), 1991paper, color lithograph, 78.3 x 52.2 cmbottom (positional attribute) : ute) : 15/30 F. Haagmans ...
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Art & Project Bulletins 32-47 (1971)
... red and fifty-five lines[4] p., 29.7 x 21 cmmailed 4.1 1971Art & Project, Richard Wagnerstraat 8, AmsterdamLit.:...
... red during one full year, excluding the purchase of any other pieces, as described as follows[4] p., 29.7 x 21 cmmailed 9.11 1971...
... red during one full year, excluding the purchase of any other pieces, as described as follows[4] p., 29.7 x 21 cmmailed 9.11 1971...
... cm (signed by the artists in red ink)mailed 28.12 1971exhib...
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Art & Project Bulletins 18-31 (1970)
... jecte, Concepte & Actionen, Köln 1971; Marente Bloemheuvel, Zsa-Zsa Eyck (samenst. en red.), Ger van Elk, Deventer 1992, pp. 256-257...
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Art & Project Bulletins 1-17 (1968-1969)
... redo Camesi...
... redo Camesi[4] p., 29.7 x 21 cmmailed Amsterdam 24.3 1969exhibition 29.3 - 23.4 1969Art & Project...
... Catharine Moseley, Conception. Conceptual Documents 1968 to 1972, Norwich 2001, p. 19; Suzanna Héman, Jurrie Poot, Hripsimé Visser (red.), Conceptuele kunst in Nederland en België 1965-1975, Amsterdam, Rotterdam 2002, p. 116...
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Bibliography
... references to artworks from the Art & Project/Depot VBVR collection can be found with the corresponding artworks in the catalogue of this collection.Articles that were available via Delpher can be accessed using the coloured link....
... : a Survey of Artists' Ephemera, 1960-1999, Santa Monica 2001Rorimer 2001Anne Rorimer, New Art in the 60s and 70s: redefining reality, London 2001, pp. 92, 178, 181...
... red.), Conceptuele kunst in Nederland en België 1965-1975, Amsterdam, Rotterdam 2002...
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Salvo
... red pencil, chalk, 27.5 x 35.5 cmMuseum Boijmans Van Beuningen, Rotterdam, inv./cat.nr. 3783 (MK)...
... red pencil, chalk, 27.5 x 35.5 cmMuseum Boijmans Van Beuningen, Rotterdam, inv./cat.nr.3785 (MK)...
... red chalk, 33 x 21.9 cmMuseum Boijmans Van Beuningen, Rotterdam, inv./cat.nr.MB 2015/T 7 (PK)...
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9.4 Sweerts’ Use of Underdrawing
... n no longer be seen with the naked eye. An underdrawing executed in white chalk thus disappears when the paint layers are applied on top.In (technical) art historical literature on Sweerts, it is assumed that he prepared his compositions with an underdrawing in white chalk or a white chalk suspension. In the context of the 2002 research project into the working methods of Sweerts, Wallert and De Ridder made a reconstruction of Swe...
... nter’s hat. In the foreground, a few drawing tools and a hat are scattered around the floor. The painting presents the last stage of a course in drawing, namely drawing from a nude model. This was considered essential in learning the principles of proportion and anatomy. Before this final stage, the drawing student had to copy the work of other masters and draw from plaster casts and (marble) statues. The...
... ultiple times, suggesting that Sweerts drew this underdrawing freehand. The underdrawing was not transferred from a drawing on a separate support....
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4.3 Van Honthorst and the Discalced Carmelites
... dressed in slightly greenish grey garment with red robe around his waist, is looking upwards at God, who is all...
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1.4 Visualisation of Artists from the Low Countries in Italy
... y to Catholic countries and the former travelled somewhat more to Protestant countries.38 Italy was by far the most popular among Southern Netherlandish artists, while their Northern Netherlandish colleagues preferred Germany about as much as Italy.No attempt has been made here to use the data to examine the artists' length of stay in Italy. What is certain, however, is that of the group of 1,604 artists, 308 also died ...